EKWC – Camera Obscura Construction
The first step of my project was to do research at the EKWC, where I converted my studio and adjacent clay storage room to a camera obscura.
ViewIn 2010 / 2011 I was an artist in residence at the European Ceramic Work Centre (EKWC, a centre of expertise in the field of ceramics in Den Bosch, NL). My goal was to continue my work with camera obscura’s in a different medium; ceramics. At the EKWC I developed a method to make large format ceramic reliefs using a camera obscura. An extremely volatile medium meets the timeless nature of ceramics. For more info see the report on Transition to ceramics
The first step of my project was to do research at the EKWC, where I converted my studio and adjacent clay storage room to a camera obscura.
ViewInside the camera obscura I expose the projection directly onto wet clay. I experimented with ways to produce and vertically mount wet clay panels. A challenge was to prevent the clay from falling down, warping or cracking.
ViewThe camera obscura projects an image of objects placed in front onto the wet clay panel. I tested different approaches of transferring the projected camera obscura image to wet clay tableau; translating visual to tactile.
ViewMy technical research at the EKWC focused on finding ways to make large format ceramic works suitable for outdoor application and creating a glaze library offering various visual possibilities.
ViewDifferent approaches to drying slabs led to the development of a new aerated drywall sandwich drying system, making it possible to create large panels without warping or cracking.
View– The Fonds BKVB (now Mondriaan Fund, the Dutch national fund for arts and cultural heritage) made this project possible with a research grant
– The European Ceramic Work Centre (EKWC) provided me with a budget to cover material costs during my research period
– The Jeanette Hollaar Fonds made a contribution for installation costs of the kiln in my studio